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                                          24) ... Werd'
                                              ich zum Augenblicke sagen ... | 
                                         
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                                          FAUST: | 
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                                          FAUST. | 
                                         
                                        
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                                           Werd ich zum Augenblicke sagen: 
            Verweile doch! du bist so schön! 
            Dann magst du mich in Fesseln schlagen, 
            Dann will ich gern zugrunde gehn! 
            Dann mag die Totenglocke schallen, 
            Dann bist du deines Dienstes frei, 
            Die Uhr mag stehn, der Zeiger fallen, 
            Es sei die Zeit für mich vorbei!  
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                                   If to the moment I shall ever 
                                    say:  "Ah, linger on, thou art so 
                                    fair!" 
                                    Then may you fetters on me lay, 
                                    Then will I perish, then and there! 
                                    Then may the death-bell toll, recalling 
                                    Then from your service you are free; 
                                    The clock may stop, the pointer falling, 
                                    And time itself be past for me! | 
                                         
                                        
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                        With these words the contract between Mephistopheles 
                          and Faust is signed. These verses are very famous and 
                          because they sound so romantic, many people like them 
                          a lot. The desires of Faust go into every direction: 
                          he wants to know everything, he wants to live life to 
                          the max and he wants to experience, what mankind has 
                          experienced, he wants the most beautiful stars of the 
                          sky and the most profound pleasure of this world. He 
                          is sensible enough to know his limits, sensible enough 
                          to see the richness of what he has, but still he cannot 
                          accept that to him only part of everything is offered. 
                          About the ambiguity of this insatiable thirst we have 
                          already spoken. This insatiable thirst has much more 
                           strength than the full stomach of the little 
                          and greater bourgeois. The negation opens new ways. 
                          On the other hand he will never be happy. As long as 
                          he lives on earth, there will never be a moment so happy 
                          that he wants it to last forever.  
                           
                          It's difficult to say how much of the "faustic" principle 
                          a society actually needs. But if more people existed 
                          that want to change something, things would be more 
                          interesting. In the one end of the world people are 
                          dying of hunger, in another part people are too fat. 
                          It costs millions of Euros and Dollars to ensure education, 
                          but people spend three hours daily in front of the TV. 
                          Which vision of happiness do people have, who go by 
                          bus to a cathedral, a museum or a monument, take a photo 
                          and continue their trip nro. 4711 organised by Adventure 
                          Tours? Maybe none? In this case little of the faustic 
                          principle does any harm to anyone. It's difficult to 
                          explain the cattle-type-man what life is. Or did you 
                          ever try to teach Hamlet to a cow? A cow is a very stable 
                          structure. 
                            
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